Amalgam embodies the dualities of heritage and modernity, where the past dances with the present, and every movement tells a story. Rooted in the rich traditions of Samba and Capoeira, Junior Domingos’s choreography not only reflects his Brazilian ancestry but also his journey as an immigrant in the United States.
Central to Amalgam are the three symbolic chairs and the circle of light. “The chair isn’t just a prop—it’s a partner in the dance, a symbol of support and constraint,” Junior says. Each chair holds a story: one with a map of Brazil connects him to his homeland, while another features circles that evoke the sacred light. The third chair, with its dynamic, dancing lines, symbolizes the interaction of light and movement. “The circle of light represents respect, boundaries, and sacred space. Throughout the choreography, I remain within this circle, honoring its significance,” he adds.
Junior’s roots remain at the heart of Amalgam. “Capoeira and Samba are not just dance styles; they are reflections of cultural history, resilience, and community spirit,” he says. By blending these traditions with contemporary choreography, Junior creates a tapestry of cultural memory and innovation. “Through Amalgam, I honor my heritage while pushing beyond the conventional perceptions of Brazilian dance. It’s an invitation to explore and appreciate the depth of Brazilian culture.”
A sonic response to Miami’s rapid transformation, SWAMP LILY blends jazz-infused guitar, ethereal vocals, and experimental soundscapes to create an immersive musical experience.
A setting of three Balinese musical forms for solo multi-percussion, additional percussionists surrounding the audience, and 8-channel fixed audio playback. Gesuri by I Wayan Brata (a Balinese Gong Kebyar piece), a traditional Balinese temple Baleganjur, and the Kecak (monkey chant) are all adapted to a modified drumset while a bath of live and recorded birdsong, gamelan, ambient noise, conversation, rainstorm, and crickets envelop the audience.